The Observer′s Journal

Jury Comment Though it outwardly adopts the concept of a ‘traveler’ in an unfamiliar city, the film unfolds with a fluid energy through its branching and proliferating narratives and characters. Evoking the movements of early cinema, its three-part structure traces circular patterns that create layered rhythms. As observers, we wander through its closed circuits and encounter unfamiliar landscapes. We eagerly anticipate the next journey of director Lim Junghwan, who will continue to write a new journal of observation.