Appliance mechanic Fuke goes to his aunt and uncle′s house to repair a broken boiler. Sabira and Idriz have lost their son to the war, and as a result, Fuke is welcomed by a suffocating pain and silence in their home. Unable to complete the repairs that day, Fuke readies to leave only to discover his car battery is dead. He spends the night. The evening is a long and uncomfortable one, and Fuke aggravates the couple′s unhappiness and loneliness when he uncovers an old family rupture. Fuke resolves to heal the old wounds and damaged souls, and to bring about reconciliation for his family. War, and all its by-products, is omnipresent in Sarajevo, even a decade later. Director Pjer Žalica has made a film about war without one violent image or any words of conflict. Instead, he has made a film about life: how life forges on, how its sense of purpose is so easily challenged and ultimately how positively never ceases to exist, even when life itself is swept away by chaos.