There’s a man in a superb house with a pool. His lover spends time swimming in a bikini. The man, rather than turning his eyes on her, is watching war news and forming an idea of a story about an Iraqi boy who fell a victim to the U. S. soldiers. Suddenly, he faces an urgent crisis during exercise, to barely escape death. There’s always the other side even in what seems comfortable. This incarnates a reversal in a sense in the film. (LEE Sang-young)