Two grown-up women meet each other. They were middle school classmates. Now, one is working as a secretary of a major corporation, and the other is unemployed who was fired from her job. As they stay in one room, they recognize their past and present. Current realistic situations gradually destroy their friendship, and the differences in perception of their reality coldly encroaches the relationship. Director Whang Cheol-mean has consistently dealt with differences among people, dramas of betrayal, and crisscrossed reality since his film [Fuck Hamlet]. In this film, [Moscow], through two women in a more ordinary situation, he shows the difficulty to narrow the differences in classes, yet also seeks the possibilities the two can dream of. (LEE Sang-yong)