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Red Vacance Black Wedding

16th(2011) Korean Cinema Today

Eroticism · Love/Romance · Psychology  

  • CountryKorea
  • Production Year2011
  • Running Time90min
  • Format D-Cinema
  • ColorCOLOR/B&W
Program Note
2007 APM (aka. PPP) Project Once having worked as director and assistant director, the two directors now come together in this ‘relay movie’ about an immoral liaison. The title is not the only provocative part about this movie. So is the actual narrative and level of expressions. It is comparable in many ways with [From Seoul to Varanasi], from its perspective on immorality to the way it captures the naked body, but it is completely different in style and flavor. Unlike [From Seoul to Varanasi], which is suggestive yet frankly honest, this movie is more of a comic melodrama, with an erotic touch here and there. The well thought out vacation plans of an immoral couple is ruined when the husband’s wife joins in. It is truly a damned vacation([Red Vacance], Kim Tae-sik). As a professor, he officiated the wedding of his lover and student. That night, she does not go to her honeymoon, but visits him([Black Wedding], Park Chul-soo). The movie is structured in an experimental manner, mixing fiction and documentary, but the simple and frank straightforwardness in the performances is unexpectedly refreshing. The impassioned performance of the forever supporting actor Jo Sun-mook, who this time plays the role of the man in both episodes, is worthy of a ‘rediscovery’. (JEON Chanil)
Director
Director
KIM Tai-sik
Kim worked for a while as a line producer for TV and advertisement productions in Japan, Australia, and Hong Kong until he worked as assistant director for the feature [Kazoku Cinema] (1998). His feature debut [Driving with My wife’s Lover] (2007) was presented at Sundance Film Festival and Rotterdam International Film Festival. His second feature [Tokyo Taxi] (2010) is said to be the exemplary case of Korean-Japanese co-production.
Director
PARK Chul-soo
Born in 1948, Park Cheol-su got his degree in Economics at Sungkyunkwan university then entered the film industry by working as assistant director at Shin Film company at 1975. He is one of the early generation of Korean directors whose filmography include [301, 302] (1995), [Farewell My Darling] (1996), [Push! Push!] (1997), and [Kazoku Cinema] (1998). His critically acclaimed 2003 feature [Green Chair] shows his incessant attempt at new challenge.
Photo
Credit
  • Director KIM Tai-sik 김태식, PARK Chul-soo 박철수
  • Producer KIM Hyo jeong , LEE Yeon jin
  • Cast JO Seon mook, AHN Ji hye , LEE Jin joo, OH In hye
  • Cinematography NAM Jin a , LEE Eun Kil
  • Editor OH Young hwan , LIM Chul Min
  • Sound LEE Dong hwan
  • Music JEONG Yong jin
  • Production Company FILM LINE
    4F Myungdong Bldg., 66-8 Nonhyeon-dong, Gangnam-gu, Seoul, 135-816 ,Korea, South
    joyfilm@filmline.co.kr/filmline@filmline.co.kr