Born in 1989 in Argentina, Amalia Ulman is an artist based in New York City. She studied Fine Arts at Central Saint Martins in London and her works show class imitation and the relationship between consumerism and identity. In addition to video, sculpture, and installation work, her multidisciplinary practice has involved the use of social media, magazine photoshoots, interviews, self-promotion, and brand endorsements as tools for the fabrication of fictional narratives. Ulman′s performance Excellences & Perfections was archived by Rhizome and the New Museum (New York) and exhibited at the Tate Modern and Whitechapel Gallery (London). Her most recent works are the video essay Annals of Private History (2015), Privilege (Online performance, 2015-2017), a short The Future Ahead (2016), Buyer Walker Rover, Aka. Then There (2019), and Sordid Scandal (2020) commissioned by the Tate Modern. El Planeta, which received great attention at the Sundance Film Festival this year, won the Best Director at the Buenos Aires Film Festival and the Jerusalem Film Festival.