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Jallikattu

A Window on Asian Cinema

Rural · Crime/Violence · Disaste · Comedy · Horror/Gore · Irony

  • CountryIndia
  • Production Year2019
  • Running Time91min
  • FormatDCP
  • ColorColor
Program Note
′Jallikattu′ is a ritual or a game that has been played since before the common era in India’s Tamil region. Similar to a rodeo, the person who stays the longest on the back of an ox is considered the winner. The film begins in a quiet village in the countryside, with a buffalo running away from a slaughterhouse. The village men try to capture the beast, and even the men from neighboring villages start to join in, creating chaos intermingled with confusion, violence, and hatred beyond control.
Jallikattu addresses the issues of latent brutality and madness in humans, particularly how the violence and savageness ruled by manliness are justified, expressed, and accepted. The screams of men and beasts and the sound of people’s footsteps fill the screen as soon as the film begins, along with the music with an intense beat that matches the tempo. Lijo Jose PELLISSERY’s directing captures the chaotic scenes intermingled with dozens of people with a rapid rhythm, making the viewers unable to tear their eyes away from the screen for even a second. (PARK Sun Young)
Director
Director
Lijo Jose PELLISSERY
Malayalam filmmaker Lijo Jose PELLISSERY hails from Chalakudy, Kerala, India, and comes from a theater family. He began experimenting with film making shorts, and quickly made a name for himself as among the next wave in Malayalam cinema. His credits include Double Barrel (2015), Angamaly Diaries (2017) and Ee.Ma.Yau (2018).
Credit
  • Director
    Lijo Jose PELLISSERY
  • CastChemban Vinod JOSE
  • Production CompanyOPUS PENTA
    tpanicker5@gmail.com
Photo
BNK부산은행
제네시스
한국수력원자력㈜
뉴트리라이트
두산에너빌리티
OB맥주 (한맥)
네이버
파라다이스 호텔 부산
한국거래소
드비치골프클럽 주식회사
Ministry of Culture, Sports and Tourism
Busan Metropolitan City
Korean Film Council
BUSAN CINEMA CENTER