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Come on Irene

23rd(2018) A Window on Asian Cinema

 

  • CountryJapan
  • Production Year2018
  • Running Time136min
  • Format DCP
  • ColorColor
Program Note
42-year-old loser Iwao needs to get laid, like, yesterday. He makes a move on a colleague at the pachinko parlor but goes home simply embarrassed. When he returns, his father has passed away, and he has a wife, bought in the Philippines for 300 yen. His mother Tsuru greets the newlyweds with a hunting rifle. Irene wants financial support for her impoverished family, and Iwao seems decent enough. She gets married but is terrified about the wedding night and escapes from Iwao every time he demands ‘getting it’. Her mother-in-law Tsuru despises her, and wants to replace her with a “nice, polite Japanese girl.” At least the Filipino girls in the village are nice to her and give her good advice based on their bar hostess experiences. In the meantime, recently widowed Tsuru schemes to sell Irene to yakuza gangs—which leads to an unfortunate turn of events. Not your typical Japanese film, but despite its explicit dialogue and unreal situations, this is a highly entertaining one, with an unexpected ending that elicits an ironic mixture of catharsis and melancholy. (Karen Park)
Director
Director
YOSHIDA Keisuke
Born in Saitama, Yoshida Keisuke studied at Tokyo Visual Arts while working casually in cinema for director Tsukamoto Shinya. He is also a lighting engineer and author. His films include Café Isobe (2008), Sankaku (2010), The Workhorse & the Bigmouth (2013), My Little Sweet Pea (2013), Silver Spoon (2014), Himeanole (2016) and Thicker than Water (2018).
Photo
Credit
  • Director YOSHIDA Keisuke 요시다 케이스케
  • Cast Ken YASUDA, Nats SITOY
  • Production Company Star Sands, Inc.
    Japan 2-6-11-2F Sibuya, Shibuya-ku, Tokyo, 1500002
    liyi@starsands.com

  • World Sales Hakuhodo DY music & pictures inc.
    Japan S-GATE AKASAKA 7F, 6-2-4 Akasaka, Minato-ku,Tokyo 107-0052
    isales@hakuhodody-map.jp