A Window on Asian Cinema
Osaka StoryJun Ichigawa has been involved in both films and commercials for years. Contrary to his commercials that are very perceptive of the changing tastes of people, his films depict, in ...
A Window on Asian Cinema
Popoya-Railroad ManThis sad, beautiful, and deeply moving film allows us to appreciate the transience of life, by portraying the affection between a dead daughter and her living father. Otomatsu is ...
A Window on Asian Cinema
Sweet AgonyA boy and a girl, betrothed since childhood, are still fond of each other as they pass through adolescence. Their families, however, now have other plans for their children, and tr...
A Window on Asian Cinema
The Wind Will Carry UsAbbas Kiarostami presents a man whose interest in death turns into an epiphany that reveals the value of life and nature. A group of reporters from Tehran arrive in a small Kurdis...
New Currents
Black HoleKorean cinema of the late 1990′s often transposes our uncertain present into the past, seeking to discover its link to our everyday life. Based on a novel by Choi In-Ho, Black Hole...
Special Programs in Focus
Leaf on a PillowThe film that launched a new realism in Indonesian cinema. In 1995, director Garin made Kancil′s Tale of Freedom, a documentary about the life of kids on the streets of Jogjakarta....
Special Programs in Focus
Pather PanchaliA village in bengal, 1910. Harihar is a priest who barely earns enough for his wife Sarbojaya, six year old daughter Durga, and little son Apu,and the old aunt who lives with them....
Special Programs in Focus
MartyrMartyr is a screen adaptation of Korean-American Kim Eun-Kuk (Richard Kim)′s novel on the Korean War and religion. As the war was winding down, most civilians felt perplexed, espe...
Special Programs in Focus
RashomonW inning the Golden Lion at Venice Film Festival in 1951, Rashomon became the first Japanese film to attract international attention. Ironically, however, it was a total flop in Ja...
Special Programs in Focus
RevengeThe notion that ′being′ only begins at the moment when it is endangered by ′not being,′ is illustrated at the beginning of the film by a Korean legend, and then by a story from the...