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A Window on Asian Cinema

Family · Crime/Violence · Capitalism · Psychology  

  • CountryIran
  • Production Year2017
  • Running Time104min
  • Format DCP
  • ColorColor
Program Note
A forensic scientist, Dr. Nariman, has a collision with Moosa’s family riding a motorbike at night. In the accident, Moosa’s eight-year-old son sustains minor injuries, but Moosa declines to take him to the hospital. The next morning, Nariman is shocked when he finds out a corpse delivered to the hospital at dawn is Moosa’s son. The results of autopsy show the boy had botulinum in his body, which means the boy was to die soon anyway. However, Nariman is consumed with guilt that his collision could affect his death. After his son’s death, Moosa goes to jail, while Dr. Nariman unearths the boy’s dead body from its tomb to conduct another autopsy. The death of the eight-year-old boy was actually the result of the poverty of the lower class, and of vulgar capitalism. While only Moosa and Dr. Nariman pay for their crimes in their own ways, thinking they gave cause for the boy’s death, the true contributor to the death—society—doesn’t do anything to correct the situation. The absence of social responsibility makes our hearts break. (PARK Jin-hee)
Director
Director
Vahid JALILVAND
A native of Tehran, Iran, Vahid Jalilvand is a graduate of Tehran University’s theater department, and initially began working in the arts as an actor. He has also worked as an editor and director for TV, and has since produced over 30 documentaries. His film credits include the NETPAC-and Orizzonti-winning Wednesday, May 9 (2015).
Photo
Credit
  • Director Vahid JALILVAND 바히드 잘릴반드
  • Producer Ali JALILVAND, Ehsan ALIKHANI
  • Cast Navid MOHAMMADZADEH, Amir AGHA’EE, Hediyeh TEHRANI, Zakiyeh BEHBAHANI
  • World Sales Noori Pictures
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