An action film noir <b>Fulltime Killer</b> is a work without any clear reference to nationality--we only know that it was made somewhere in Asia. The film begins with a typical setting containing two professional killers, a woman, and a detective who is after the killers. Isolated from society, pessimistic O is a master killer, while Tok, who challenges O, is a rookie who enjoys the thrill of killing and wants to ′die with dignity′. Both of them cannot escape from a past trauma. Stuck between the two is Chin, O′s part-time housekeeper. Whose side will Chin take? Who will win the final victory? Leaving the questions up in the air, the film moves around Asia. The camera, which penetrates the grave to the inside of corpse, creates images reminiscent of a hardcore horror film, while the last scene, in which the killers have their final battle is a mixture of film noir and chivalric epics. (Kang So-Won)