An old priest has devoted his whole life to a church that is about to be demolished. A group of African illegal immigrants sneaks into that church, seeking refuge while some workers come in and out of it. Despite his decline in health, his feeling of solidarity with total strangers grows deeper and deeper. The latest feature by Ermanno Olmi reflects the director’s distinct worldview, reflecting on the true meaning of the church and of faith. It depicts the trust formed between the immigrants and the old priest, focusing on the depiction of human love and faith. Meanwhile, Olmi doesn’t forget to reflect harsh reality by dealing with the immigration issue. Most amazing is the style in which this issue is raised: most of the story unfolds inside a church, and the illegal immigrants become amazingly the icons of religious paintings. Their appearance and way of speaking don’t resemble those of any other immigrant in other directors’ films. We recognize easily Olmi’s touch. (RHEE, Soue-won)