Conntinuing the saga of the women at the "House of Sharing," the film shifts location to Kwangju in Kyonggi Province. Sadness still prevails but life in the country provides these old women with a sense of composure. The director′s intentions to recreate the comfort women′s history of shame in modern korea ends with the reference to recent statistic of sex crimes committed against women. The film specifically strives to emphasize the history of violence against women. Instead of establishing itself as political commentary, however, the film juxtaposes the past and present by illustrating the tragedy and comedy, and the rage and sadness of the main characters. Many people tend to forget that people rally in front of the Japanese Embassy every Wednesday. The remnants of shame will never fade away. The film asks us never to forget, even as the witnesses slowly pass away, as in the case of Kang Suk-Kyoung. However, the film suggests that it′s possible to find reconciliation by sharing this history. The group′s drinking party with the film crew stands as a gesture of sharing the pain and the sadness.