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영화 정보

An aimless bullet

4th(1999) Special Programs in Focus

 

  • CountryKorea
  • Production Year1961
  • Running Time108min
  • Format 35mm
Program Note
This masterpiece is also Yu Hyun-mok′s breakthrough film. Through a struggling family living a destitute life, he reveals the difficulties of postwar Korean society. Such is the piercing scream emitted from desperate souls with no way out: accountant clerk Chul-Ho and his disabled veteran brother Young-Ho; a homesick mother who′s at the brink of going mad, Chul-Ho′s pregnant wife and his sister who turns tricks on foreigners for living. Each one tries to cope with the harsh reality thrust upon them only to fail, losing their direction in the process. The day Young-Ho′s bank robbery fails, Chul-Ho takes out his tooth and wanders around, unable to choose between the obstetrician where his pregnant wife is, the police station where his arrested brother is being held, or home where his sick mother is ailing. The realism-based An Aimless Bullet exposes reality by using a modernistic approach to express the family′s hopelessness. Rather than using an active, direct method for his commentary on reality, Yu Hyun-Mok criticizes it in an existentialist, roundabout way. (Yi Hyoin)
Director
Director
YU Hyun-Mok
Yu Hyun-Mok is a film pioneer responsible for cultivating the aesthetics of Korean cinema who also had immense influence on other filmmakers. He directed 43 features including the classic An Aimless Bullet which many consider as the single greatest Korean film ever made. Born in 1925, Yu Hyun-Mok began his film career in 1955 with The Crossroad. Since then, he has pursued auteurism in the midst of a turbulent modern history and the barren nature of Korean cinema. His films represent a mirror which reflect Korea’s social reality in a critical manner, questioning society in the following manner: reality vs. existence in [An Aimless Bullet] (1961), religion vs. ideology in [Martyr] (1965) and [Rainy Days] (1979), and tradition vs. modern times in [Daughters of the Pharmacist Kim] (1963) and [Three Henpeck Generation] (1967). Yu Hyun-Mok has journeyed in search of human life. He also presents a unified aesthetic exploration of reality and ample experimentation in cinematic images. His latest project is 1995’s [Mommy, Star and Sea Anemone].
Photo
Credit
  • Director YU Hyun-Mok 유현목
  • Producer Park Kyeong-Shik
  • Cast Choi Mu-Ryong, Kim Jin-Kyu, Moon Jung-Suk
  • Screenplay Lee Beom-Seon
  • Cinematography Shim Jae-Heung
  • Production Design Baek Nam-Jun, Lee Su-Jin
  • Editor Kim Hee-Su
  • Sound Lee Kyeong-Sun
  • Music Kim Seong-Tae
  • Production Company Dae Han Films Co. Ltd.
    C/O Korean Film Archive
    kfa@cinematheque.or.kr